![]() The absence of a chord engine is slightly disappointing, and that single velocity layer is a definite limitation outside metal, but if your programming skills and understanding of guitar playing technique are up to scratch, Shreddage 2 IBZ is a very impressive instrument. With the raw samples being clean and unprocessed, it is possible to get 'non-metal' tones out of IBZ, although the lack of velocity layers limits its serious usage in most other genres. The Effects rack houses distortion, amp/cab simulation, EQ (pre-amp, post-amp and post- cab), Compressor, Chorus and Delay modules, all of which sound great. With Native Instruments’ industry-standard KONTAKT PLAYER platform included alongside Peavey's ReValver HPse amp modelling software, SHREDDAGE 2 has. A powerful interface allows for easy playing and deep customisation. Verdict I would say this was a very good investment for 160. SHREDDAGE 2 covers the entire range of lead and rhythm guitar playing every fret, every string, and tons of articulations. Then there's assignment of articulations to keyswitches, velocity layers and MIDI CC ranges separate power chord assignment LFO-based vibrato optional extra pick noise and much more. For some reason, 50 MB Majestica libraries can take upward of a minute to load into Kontakt 5, whereas all 1 gigabyte of Shreddage 3 serpent can be ready in under 20 seconds. ![]() Instant stereo double tracking is a button press away, and using the Doubletrack 1-4 buttons, up to four tracks can be layered in a single instance of Kontakt, each playing its own round-robin sequence for an authentic overdubbed feel.
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